In Battle is an extreme metal band from Sundsvall, Sweden. The main lyrical themes of the band focus on Norse mythology and war.
The original line-up consisted of John Frölén on guitar and bass, John Odhinn Sandin on vocals, Håkan Sjödin on guitar and bass, and Otto Wiklund on drums. Håkan Sjödin left the band early so that he could play with Setherial full-time. The band's first album, titled In Battle, was recorded at Sunlight Studio in Stockholm, Sweden and was released through Napalm Records in 1997. Their second release, called The Rage of the Northmen, came in March 1998. It was recorded at Ballerina Audio, Umeå, Sweden. In 1999 the only member left was Frölén, who started writing material for a third album. In 2002 he began rehearsing with Sandin (this time on drums), soon asking Hans Carlsson (guitar) of Diabolical to join the band. In 2003, Nils Fjellström of Aeon replaced Sandin on drums and Sandin went back to handling the vocals and the Soul Metamorphosis EP was recorded at Necromorbus Studio in Stockholm, Sweden. In 2004, their album Welcome to the Battlefield (which was recorded in three different studios) was released through Cold Records and Metal Blade Records. The album was mixed and mastered by Erik Rutan from the bands Morbid Angel and Hate Eternal. Rutan also donated a guitar solo to the album. In April 2005, the band parted ways with their label partner Cold Records after that album's release. In 2006, In Battle signed a contract with Nocturnal Art Productions and began working on their 4th full-length album, which turned out to be Kingdom of Fear. The album was released on September 3, 2007. In Battle are currently working on a fifth studio album with a working title of Flames & Death.
Women in (E)motion is an album by American folk singer Odetta, released in 2002. It was recorded live for the Women In (E)motion Festival in Bremen, Germany in 1990.
All songs Traditional unless otherwise noted.
2014 was described as a watershed year for women's rights, by newspapers such as The Guardian. It was described as a year in which women's voices acquired greater legitimacy and authority.Time magazine said 2014 "may have been the best year for women since the dawn of time". However, The Huffington Post called it "a bad year for women, but a good year for feminism". San Francisco writer Rebecca Solnit argued that it was "a year of feminist insurrection against male violence" and a "lurch forward" in the history of feminism, and the The Guardian said the "globalisation of protest" at violence against women was "groundbreaking," and that social media had enabled a "new version of feminist solidarity."
Denise Balkissoon, writing in The Globe and Mail, disagreed with and criticized the view that 2014 marked a "watershed" moment and that "some collective 'we' has finally had enough", citing her ongoing concerns regarding a "broken system" with respect to violence against women.United Nations' Special Rapporteur on Violence Against Women, Rashida Manjoo, said that violence against women "is acknowledged as a pervasive and widespread human rights violation" and that as of 2014, "no single country can claim that there is progressive elimination occurring".
Fight fire with fire and everything will burn
An eye for an eye will make the whole world blind
I won't go out to find wars
I'm going inside to find peace
I'd rather die for something
Than live for nothing
Not he who controls others
But he who controls himself
It takes more strength
To put down the guard
Than it takes to hate
And try looking hard